Rocks & minerals
What gemstone is this?
Colour alone identifies almost nothing — ruby, red spinel, garnet and glass all look the same across a room, and for two hundred years the most famous "ruby" in the British crown jewels was a spinel. Filter by colour plus hardness plus any optical effect, and check the look-alike line on every entry, because for gemstones the imitation is usually the answer.
Narrow it down
Showing all 27 gemstones
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Diamond
C — carbon
Extreme brilliance and hard, sharply defined facet edges that stay crisp because nothing abrades them. Singly refractive, so facet edges seen through the table are single, not doubled.
In the record Mohs 10 · C · isometric · adamantine lustre check on Macrostrat
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Ruby
Corundum, Al₂O₃
Red corundum, from pinkish to deep pigeon's blood, with a strong red fluorescence under ultraviolet light in Burmese material. Star rubies show a six-rayed star from oriented rutile needles.
In the record Mohs 9 · Al2O3 · trigonal · adamantine lustre check on Macrostrat
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Sapphire
Corundum, Al₂O₃
Corundum in any colour except red, so there are yellow, pink, green and colourless sapphires as well as blue. Very hard, with a slightly oily lustre and often visible straight colour banding.
In the record Mohs 9 · Al2O3 · trigonal · adamantine lustre check on Macrostrat
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Emerald
Handle with careBeryl, Be₃Al₂Si₆O₁₈
Deep green beryl, almost always heavily included — the internal fractures and crystals are called the jardin, the garden, and their absence in a clean stone is a warning rather than a virtue.
In the record Mohs 7.5–8 · Be3Al2(Si6O18) · hexagonal · vitreous lustre check on Macrostrat
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Aquamarine
Beryl, Be₃Al₂Si₆O₁₈
Pale sea-blue to blue-green beryl, typically very clean, in large flawless crystals. Colour is usually pale in natural stones; a deep blue aquamarine has almost always been heat-treated.
In the record Mohs 7.5–8 · Be3Al2(Si6O18) · hexagonal · vitreous lustre check on Macrostrat
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Amethyst
Quartz, SiO₂
Purple quartz, often with visible colour zoning in angular bands or a paler zone towards the crystal base. Sold in geodes and clusters everywhere.
In the record Mohs 7 · SiO2 · trigonal · vitreous lustre check on Macrostrat
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Citrine
Quartz, SiO₂
Yellow to orange-brown quartz. Natural citrine is a pale lemon; almost every deep orange-brown "citrine" on the market is heat-treated amethyst, which is legitimate and should be disclosed.
In the record Mohs 7 · SiO2 · trigonal · vitreous lustre check on Macrostrat
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Topaz
Handle with careAl₂SiO₄(F,OH)₂
Hard, bright and noticeably heavy for its size, with a slippery slightly soapy feel. Almost all blue topaz on the market is irradiated and heated colourless material.
In the record Mohs 8 · Al2(SiO4)(F,OH)2 · orthorhombic · vitreous lustre check on Macrostrat
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Garnet
X₃Y₂(SiO₄)₃ group
A whole family rather than one stone. Deep red almandine is the familiar one; there are also orange spessartine, green tsavorite, brilliant green demantoid and colour-change species. Singly refractive with no cleavage.
In the record Mohs 6.5–7.5 · X3Z2(SiO4)3 · isometric · vitreous to resinous lustre check on Macrostrat
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Peridot
Olivine, (Mg,Fe)₂SiO₄
A distinctive oily olive-green with a yellow undertone, and strong double refraction — look through the table with a loupe and the back facet edges appear doubled.
In the record Mohs 6.5–7 · (Mg,Fe2+)2SiO4 · orthorhombic · vitreous lustre check on Macrostrat
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Tourmaline
Complex borosilicate
Comes in more colours than any other gem species, often several in one crystal — watermelon tourmaline is pink-cored and green-rimmed. Rough crystals have a rounded-triangular cross-section with heavy lengthwise striations.
In the record Mohs 7 · A(D3)G6(T6O18)(BO3)3X3Z · trigonal check on Macrostrat
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Spinel
MgAl₂O₄
Bright, singly refractive and often in octahedral crystals. Historically sold as ruby, and now increasingly valued in its own right for the vivid red and the cobalt blue.
In the record Mohs 7.5–8 · MgAl2O4 · isometric · vitreous lustre check on Macrostrat
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Tanzanite
Handle with careZoisite, Ca₂Al₃(SiO₄)₃(OH)
Violet-blue with strong pleochroism — it shows blue, violet and burgundy from three different directions, which is visible by rotating the stone in the hand. Nearly all material is heat-treated to remove the brown.
In the record Mohs 6–7 · {Ca2}{Al3}(Si2O7)(SiO4)O(OH) · orthorhombic · vitreous lustre check on Macrostrat
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Opal
Handle with careSiO₂·nH₂O
Flashes of spectral colour that move as the stone moves — play of colour, produced by diffraction from a regular array of silica spheres. This is not the same as an overall body colour.
In the record Mohs 5.5–6.5 · SiO2·nH2O · vitreous lustre check on Macrostrat
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Moonstone
Orthoclase feldspar
A soft blue or white glow that floats across the surface and moves as you tilt the stone — adularescence, caused by light scattering between microscopic layers of two feldspars.
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Labradorite
Plagioclase feldspar
Dull grey until the angle is right, then a broad flash of peacock blue, green or gold across the whole surface — labradorescence, from light interference in internal lamellae.
In the record Mohs 6–6.5 · (Ca,Na)[Al(Al,Si)Si2O8] · sub-vitreous lustre check on Macrostrat
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Turquoise
CuAl₆(PO₄)₄(OH)₈·4H₂O
Opaque sky-blue to green, usually with a web of dark host rock called matrix. Porous, so it absorbs oils and changes colour over years of wear.
In the record Mohs 5–6 · Cu(Al,Fe3+)6(PO4)4(OH)8·4H2O · triclinic · sub-vitreous lustre check on Macrostrat
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Lapis lazuli
Lazurite in a rock matrix
Deep ultramarine blue flecked with brassy specks of pyrite and often white streaks of calcite. It is a rock rather than a mineral, which is why the composition varies.
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Jade — jadeite and nephrite
NaAlSi₂O₆ / Ca₂(Mg,Fe)₅Si₈O₂₂(OH)₂
Two different minerals sold under one name. Both are made of densely interlocked fibrous crystals, which makes jade extraordinarily tough — resistant to breaking rather than to scratching — and gives it a slightly greasy lustre and a solid ring when tapped.
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Agate, jasper and carnelian
Chalcedony, SiO₂
Microcrystalline quartz. Agate is banded and translucent, jasper is opaque and patterned, carnelian is translucent orange-red. All are hard enough to scratch glass and all take a high polish.
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Amber
Fossilised tree resin
Warm to the touch, very light — it floats in saturated salt water — and it takes a static charge when rubbed, picking up small pieces of paper. Often contains insects or plant fragments.
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Pearl
Handle with careNacre — aragonite and conchiolin
The tooth test: draw a pearl gently along the biting edge of a front tooth. A real pearl feels distinctly gritty from the microscopic aragonite platelets; an imitation feels perfectly smooth.
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Alexandrite
Chrysoberyl, BeAl₂O₄
Green in daylight and red under incandescent light, because its absorption spectrum happens to sit exactly between the two illuminants. Genuine strong-change material is one of the rarest and most valuable gems there is.
In the record Mohs 8.5 · BeAl2O4 · orthorhombic · vitreous lustre check on Macrostrat
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Zircon
ZrSiO₄
Very high dispersion and extremely strong double refraction — the doubling of the back facet edges is obvious under a loupe. Heavy for its size.
In the record Mohs 7.5 · Zr(SiO4) · tetragonal · adamantine lustre check on Macrostrat
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Moissanite
SiC — silicon carbide
Very close to diamond in hardness and brilliance, but strongly doubly refractive — look through the table with a loupe and the opposite facet edges are visibly doubled. Dispersion is higher, giving more coloured fire.
In the record Mohs 9.5 · SiC · hexagonal · vitreous lustre check on Macrostrat
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Cubic zirconia
ZrO₂
Denser than diamond, so a CZ of the same apparent size is noticeably heavier. Facet edges soften with wear because it is softer, and older stones look cloudy where a diamond would still be crisp.
In the record Mohs 8 · ZrO2 · isometric · sub-adamantine lustre check on Macrostrat
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Glass and paste
Amorphous silica with additives
Rounded rather than crisp facet edges from moulding, gas bubbles visible under a loupe, swirl marks, and warmth — glass reaches skin temperature faster than any crystalline gem. Softer than quartz, so a quartz point scratches it.
Nothing in this key matches every filter at once. That usually means one observation is off — a colour read in shade, or a size guessed rather than measured. Clear the filter you are least sure about and look again.
Four tests you can do with no equipment
Professional gem identification uses a refractometer, a polariscope, a spectroscope and a specific-gravity balance. Without any of those, four checks still eliminate most imitations.
- Look for gas bubbles under 10× magnification. Round bubbles mean glass or a plastic. Natural stones contain crystals, fractures and needles, but not spherical bubbles. A cheap loupe is the single most useful gemmological purchase there is.
- Check for doubling. Look through the table at the back facet edges with a loupe. If they appear doubled, the stone is strongly doubly refractive — peridot, zircon, moissanite, tourmaline. Diamond, spinel, garnet and glass never double.
- Feel the temperature. Glass and plastic warm to skin temperature quickly; crystalline gems stay cool because they conduct heat away. Amber is the exception among naturals — it feels warm, and that is diagnostic against glass, which feels cool by comparison.
- Heft it. Density varies enormously and the hand is surprisingly good at it. Cubic zirconia is heavier than diamond, topaz is heavier than quartz, and garnet is heavier than almost anything else red.
The one test to skip is scratching. It damages the stone, it is unreliable on a faceted gem, and the popular version of it — scratching glass — separates nothing, because everything from quartz upwards does it.
Optical effects, and what causes each
Several gems are identified by a phenomenon rather than by colour, and each has a specific mechanism.
| Effect | What you see | Cause | Typical gems |
|---|---|---|---|
| Play of colour | Flashes of spectral colour that shift as the stone moves | Diffraction from a regular array of silica spheres | Opal, and nothing else |
| Asterism | A four- or six-rayed star | Reflection from oriented needle inclusions | Star ruby, star sapphire, star garnet |
| Chatoyancy | A single bright band like a cat's eye | Parallel fibrous inclusions or channels | Chrysoberyl, tiger's eye, tourmaline |
| Adularescence | A soft glow that floats under the surface | Light scattering between microscopic feldspar layers | Moonstone |
| Labradorescence | A broad flash of peacock colour at one angle | Interference in internal lamellae | Labradorite, spectrolite |
| Colour change | A different colour in daylight and lamplight | An absorption spectrum sitting between the two illuminants | Alexandrite, some garnet and sapphire |
| Pleochroism | Different colours from different directions | Direction-dependent absorption in the crystal | Tanzanite, iolite, andalusite |
The distinction that trips people up is between play of colour and iridescence. Opal's flashes come from a regular internal structure and move independently of the surface; the rainbow on a soap bubble or an oil film is thin-film interference and is a surface effect. Only opal does the first.
Treated, synthetic, simulant: three different words
These are constantly used interchangeably and they mean quite different things commercially and legally.
Treated means a natural stone modified after mining — heated, irradiated, oiled, dyed or fracture-filled. Treatment is routine and mostly acceptable: essentially all blue topaz is irradiated, nearly all tanzanite is heated, and most emerald is oiled. It must be disclosed, and it affects both value and care instructions.
Synthetic means grown in a laboratory with the same chemical composition and crystal structure as the natural stone. A synthetic ruby is a ruby by every physical and chemical test, and separating it from a mined one requires a laboratory looking at growth features. It is a real gem, worth far less, and must be disclosed.
Simulant means a different material that looks like the gem. Cubic zirconia simulating diamond, glass simulating anything, dyed howlite simulating turquoise. These are cheap and identifiable with basic tests.
In the United States the Federal Trade Commission requires all three to be disclosed, and a stone described simply as "ruby" must be natural and untreated beyond normal practice. Where a seller is vague, assume treatment. Where a price is far below the market, assume synthetic or simulant.
Buying without getting caught
- Above a few hundred, get a laboratory report. GIA, AGS, IGI and, in Europe, Gübelin and SSEF issue reports naming the species, origin where determinable, and every treatment detected. A seller unwilling to allow independent testing is telling you something.
- Ask three specific questions: is it natural or laboratory-grown, what treatments has it had, and is the weight the total for the piece or for the main stone. Vague answers are the answer.
- Be suspicious of perfect. Flawless emerald, uniformly perfect turquoise, and evenly coloured amber with a photogenic insect centred in it are all warnings. Natural material has character because it grew in the ground.
- Treat "certified" as meaningless on its own. Certificates issued by the seller are marketing. The issuing laboratory is the whole content of the claim.
- Do not buy loose stones on holiday. Gem scams targeting tourists are a well-established industry in several countries, and the recourse afterwards is nil.
Wearing and cleaning without damaging the stone
Hardness governs scratching, and three other properties govern everything else.
Cleavage. Topaz, tanzanite, fluorite and diamond all have cleavage planes and can split from a single well-placed knock regardless of hardness. This is why an 8-hardness topaz needs a protective setting in a ring.
Porosity. Turquoise, pearl, opal, coral and amber absorb liquids. Perfume, hairspray, cleaning products and sweat all damage them, and the rule is to put them on last and wipe them after wearing.
Heat and water sensitivity. Opal holds up to 20% water and crazes if it dries. Emerald is oil-filled. Pearl is a soft organic material. Never put opal, emerald, pearl, turquoise, amber, tanzanite or coral in an ultrasonic or steam cleaner. Warm water, mild soap and a soft brush is the right treatment for nearly everything.
Storage matters too: harder stones scratch softer ones in a shared box, so a diamond loose in a jewellery box will mark every other stone in it. Individual soft pouches solve it entirely.
27 entries here cover the gems and imitations that come up in practice. There are several thousand mineral species with gem-quality material, and any collection of unusual cut stones will contain things not on this list. For anything that matters financially, the answer is a laboratory report rather than a chart.
Hardness, formula and crystal system
Colour is the least reliable thing about a mineral and hardness is the most reliable, because hardness is a measurement rather than an impression. Every entry in this key that has a formal mineral name is matched against Macrostrat's mineral definitions, which gives 20 of the 27 entries a published Mohs range, a chemical formula, a crystal system and a lustre. The snapshot was taken on 2026-09-04.
Read that figure as a sequence of tests rather than a list of facts. A fingernail is about 2.5 on the Mohs scale and will mark 0 of these 20. A steel knife blade is about 5.5 and splits the rest: 0 can be scratched by one and the remainder cannot, which is a single test that removes most of the list. A piece of quartz at 7 will scratch everything below it. Do the test on a fresh surface and on the specimen rather than the crust, and scratch the mineral with the tool — a streak of metal left on the rock looks like a scratch and is not one. Crystal system is the other free character: 5 of these are trigonal, so the habit you can see in a good specimen narrows the field before any test at all.
The reference table
Formula, hardness range, crystal system and lustre for every named mineral in this key, as published. Where a hardness is given as a range, the mineral genuinely varies — usually with the direction of the scratch or the exact composition.
| Entry | Formula | Mohs | Crystal system | Lustre |
|---|---|---|---|---|
| Turquoise | Cu(Al,Fe3+)6(PO4)4(OH)8 · 4H2 | 5–6 | Triclinic | Sub-Vitreous, Resinous, Waxy, Dull, Earthy |
| Opal | SiO2 · nH2O | 5.5–6.5 | — | Vitreous, Waxy, Greasy, Dull |
| Tanzanite | {Ca2}{Al3}(Si2O7)(SiO4)O(OH) | 6–7 | Orthorhombic | Vitreous |
| Labradorite | (Ca,Na)[Al(Al,Si)Si2O8] | 6–6.5 | — | Sub-Vitreous |
| Garnet | X3Z2(SiO4)3 | 6.5–7.5 | Isometric | vitreous to resinous |
| Peridot | (Mg,Fe2+)2SiO4 | 6.5–7 | Orthorhombic | Vitreous |
| Amethyst | SiO2 | 7 | Trigonal | Vitreous |
| Citrine | SiO2 | 7 | Trigonal | Vitreous |
| Tourmaline | A(D3)G6(T6O18)(BO3)3X| 7 | Trigonal | — | |
| Emerald | Be3Al2(Si6O18) | 7.5–8 | Hexagonal | Vitreous, Sub-Vitreous, Waxy, Greasy |
| Aquamarine | Be3Al2(Si6O18) | 7.5–8 | Hexagonal | Vitreous, Sub-Vitreous, Waxy, Greasy |
| Spinel | MgAl2O4 | 7.5–8 | Isometric | Vitreous |
| Zircon | Zr(SiO4) | 7.5 | Tetragonal | Adamantine, Vitreous, Greasy |
| Topaz | Al2(SiO4)(F,OH)2 | 8 | Orthorhombic | Vitreous |
| Cubic zirconia | ZrO2 | 8 | Isometric | Sub-Adamantine |
| Alexandrite | BeAl2O4 | 8.5 | Orthorhombic | Vitreous |
| Ruby | Al2O3 | 9 | Trigonal | Adamantine, Vitreous, Pearly |
| Sapphire | Al2O3 | 9 | Trigonal | Adamantine, Vitreous, Pearly |
| Moissanite | SiC | 9.5 | Hexagonal | Vitreous |
| Diamond | C | 10 | Isometric | Adamantine, Greasy |
Free to reuse with a link back to this page. The full snapshot behind every Orvik key is on the open field data page.
Questions people ask about this
How can I tell if a gemstone is real?
A 10× loupe answers most of it. Round gas bubbles mean glass or plastic — natural stones contain crystals, needles and fractures but not spheres. Look through the table at the back facet edges: doubling means peridot, zircon, moissanite or tourmaline. Feel the temperature, since glass warms quickly while crystalline gems stay cool. And weigh it in the hand, because density varies enormously. Anything valuable needs a laboratory report.
Does scratching glass prove a stone is a diamond?
No. Glass is only about 5.5 on the Mohs scale, so quartz, topaz, garnet, sapphire, moissanite and cubic zirconia all scratch it easily. The test rules things out rather than in. Separating diamond from moissanite needs a check for doubled facet edges or a modern combined thermal and electrical tester; the old thermal-only probes read moissanite as diamond.
What is the difference between synthetic and simulant?
A synthetic has the same chemical composition and crystal structure as the natural stone but was grown in a laboratory — a synthetic ruby is genuinely a ruby, and separating it from a mined one requires laboratory examination of growth features. A simulant is a different material that merely looks like the gem, such as cubic zirconia standing in for diamond or dyed howlite for turquoise. Both must be disclosed under US FTC rules.
Why does my emerald have so many inclusions?
Because emeralds grow that way, and the internal fractures and crystals even have a name — the jardin, or garden. A completely clean emerald is a warning sign rather than a virtue: it is likely synthetic or glass. Most natural emerald is oil- or resin-filled to reduce the visibility of fractures, which is normal, disclosed practice and the reason emeralds must never be cleaned ultrasonically.
How do I know if a pearl is real?
Draw it gently along the biting edge of a front tooth. A real pearl feels distinctly gritty because of the microscopic aragonite platelets that make up nacre; an imitation feels perfectly smooth. Real pearls also feel cool at first touch and rarely match each other exactly in a strand. The test does not distinguish natural from cultured pearls, which needs X-ray imaging.
Which gemstones can I not put in an ultrasonic cleaner?
Opal, emerald, pearl, turquoise, amber, coral, tanzanite, and anything with visible fractures or a dyed or filled treatment. Ultrasonic and steam cleaning drive filling material out, dry porous stones, and can crack a stone along an existing fracture. Warm water, mild soap and a soft brush handle almost everything safely.
Is my turquoise real?
Much of the turquoise on the market is dyed howlite or magnesite, which are white minerals with a similar matrix pattern. Rub an inconspicuous spot with a cotton bud and a little acetone; dye lifts onto the swab. Real turquoise is also porous and changes colour slowly over years of wear, and most commercial material is stabilised with resin, which is standard and should be disclosed.
Still not sure? Point a camera at it
A filter narrows gemstones down to a shortlist. Orvik reads the photo itself and names the species, with the look-alikes ranked underneath so you can check the call yourself.